#but it is NOT SOMETHING I SAID OR WROTE

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[tempo-takoyaki]

Merry Christmas!! I hope you all have a wonderful day <3

EDIT: I accidentally posted this too early but know this illustration is referring to a previous comic if you'd like to read it ! [Christmas 2023]

[doverstar]

can't express accurately how happy it makes me that c.s. lewis did not leave room for many interpretations in narnia. it's christian and you can't get around it. susan chose to care more about worldly things than what matters and he said what he said. the lion is Jesus. evil is evil and good is good and people have to choose. and that makes some readers angry because it's nearly impossible to ignore and they want to ignore it. they want it to be something else and they can't make it something else without making it not narnia. love that. that is doing it right

[tackykachowch]

Idk if I'm gonna get jumped for this but....Iiii don't know if it's really appropriate to call Vander Jinx's dad. He definitely was her guardian, with huge uncle energy for sure, but dad? Like, dad is something really personal and requires a high level of closeness, and they didn't seem to share that bond. Out of all the kids Powder seemed to be the most removed from him and share very little traits/interests with him, and after growing up we don't see Jinx care about him at all. So, idk, to call him her dad seems more like a fanservice to me rather than what can be confirmed by the show.

He's defo her dad in the au, tho, because there he would spend a lot more time with her and because of Vi's death pay more attention to her, therefore tightening their bond.

UPD: I mean, Vander isn't even a part of her hallucinations. Now, you could argue that it's too traumatic for her even to remember him as is seen in season 1 ep9, but I think it's the opposite, actually. Knowing Silco he probably yapped about Vander all the time (and he literally does this in ep5), so Jinx definitely remembers him and thinks of him to some extent. But why then his hallucination appeared only once? Well, I think it only happened because Jinx was under extreme pressure already, plus she recently had a shimmer operation, which could've worsened her mental state, hence Vander appearing as a hallucination. Again, this is just how I see it, I may be wrong, but I do think this view of their relationship is rational enough.

[skkpaws]

sometimes i cant help but giggle when i think about this scene because it’s such a significant scene for skk and reveals so much more about them during this time both as partners and individually .. and it originally came from the bsd mobile game 😭

idk who on the mayoi team was in the writing room absolutely cooking that day but i thank you

bonus dazai being all like ‘my partners mad at me 🥺 👉👈’

[airenyah]

Episode 6: FadelStyle vs. Beginnings and Endings

In the past one and a half-ish weeks we've discussed at length just how good the last scene at the diner is and how Style drawing tears on Fadel at the rock concert was foreshadowing to Fadel ending the episode crying real tears. What I haven't seen discussed yet, however, is how that ending scene is actually a counterpart to Fadel and Style's conversation after the rock concert. And I think that makes the scene in the diner even more poignant. And it also makes the scene at the rock pub even more painful as well. Because they are basically the same scenes, just flipped. And I desperately need to talk about it or else I'll explode.

Part 1: "Tonight I am very happy"

In this scene Style knows something that Fadel doesn't: This will most likely be their last chance to be happy together like this. Tomorrow Fadel will go on his mission where the police will be waiting and then Fadel will be taken away from him.

But Style already loves Fadel, he is already worried about him and he really does not want to lose him. So he keeps trying to subtly talk Fadel into staying home from the mission and spilling the beans about the mission so he can explicitly ask Fadel not to go. But Fadel keeps his mouth shut. And as happy as Style is together with Fadel this evening, he is also very upset. He doesn't want the night to end, but there's no way around it. For Style this is a goodbye.

And for Fadel? Fadel went from I'll tell her this will be your last job to Ruerat is the last jerk we have to kill. After that, we can live however we want. Even in this episode, right before he goes to the concert with Style, Fadel tells Bison "Once we’re done with Ruerat, I’ll talk to Mother again", when Bison says it's time for them to quit. Fadel is on the same page as Bison now. Ruerat is their last victim and after that Fadel wants out. For Fadel, this is the last night where he's still stuck in his hitman life, but once he is done with his mission the weight will be off his shoulders and he can finally truly be with Style. For Fadel this is the opposite of a goodbye.

In the words of my mother: For Style, when the night is over life will end. For Fadel, when the night is over life will begin. Style is ending something and Fadel wants to begin something.

And another thing my mom pointed out is how they're standing in front of a pink sky:

And at what time of the day is the sky pink? Either at dawn or at dusk. The beginning of the day or the end of the day. And for Fadel this scene is only the beginning of the day while for Style this scene is the end of the day.

Part 2: "I think I already love you"

In this scene Fadel knows something that Style doesn't: Style has played him, has made him lower his protective walls, has made him fall for him only to turn around and betray him.

Style told Fadel he hoped that Fadel wouldn't get any more scars and yet here Style is, stabbing Fadel right in the heart and jeopardizing his life. Here Style is, bursting Fadel's bubble that he's finally started daring to dream about, a dream of a future where he wasn't lonely, a future where he was happy and himself with someone, Style, by his side. Style is a danger to him. Style can't stay. As happy as Fadel has been together with Style, he needs to let go of him. For Fadel this is a goodbye.

And for Style? He has just spent a full week worrying sick about Fadel after his mission went wrong and went completely MIA. Style has likely (definitely) spent a week checking the restaurant every single day for any sign of Fadel's return, not giving up hope of seeing him again. And then Fadel is back. Style is overjoyed. The heavy metal concert wasn't their last day together, Fadel is pulling through on his promise to have many more nights like that with each other. The concert may have been the end of the day, but now against all odds a new day has come. For Style this is the opposite of a goodbye.

And so we're left with the exact opposite situation from what we had at the concert: Fadel is ending something and Style wants to begin something.

Conclusion

These two scenes go together, they're flipped parallels of each other.

At the concert Style is internally saying goodbye to Fadel because he thinks their relationship will be over when Fadel gets arrested at the mission and the police take him away. At the diner Fadel is internally saying goodbye to Style because he thinks their relationship is over now that he "knows" that none of it was real on Style's part since in reality he was working with said police.

At the concert Fadel is truly happy, because once his mission is over he'll talk to mother and when he's managed to convince her that him and Bison will be out, then Fadel can go and start a new life, a new future with Style. At the diner Style is overjoyed because he thought he was about to lose Fadel, but Fadel has come back and now Style gets a second chance at a future with Fadel.

At the concert, Fadel is happy and he can tell something is kinda off about Style ("What's wrong? You act like we’re not going to see each other again."), but he has absolutely no idea that Style is in the process of bidding him farewell. At the diner, Style is happy and he can tell something is kinda off about Fadel ("You were just calling me out for being affectionate. Now you wanna be romantic?"), but he has absolutely no idea that Fadel is in the process of bidding him farewell.

It's brilliant writing, really. And both scenes are flawlessly performed by both boys.

[bunabi]

I never read all the AMA answers so I've been thinking about the 'magical feedback' thing basically all day

If losing their archdemon turns the Creators mortal wouldn't they just succumb to the blight and die in the Fade

Why wasn't Corypheus even slightly harmed when the bond with his knockoff archdemon was severed

I know that's a common thing in fantasy media and how other magic systems work — incantations and pseudo-scientific speak and the whole nine included — but it's never really been a thing in DA

Even items like the Litany of Adralla that force-kill a blood magic connection didn't exactly obliterate Uldred

I'm sorry if its cringe to care 😭 but I do

[floccinaucinihilipilificationa]

Hello may 31th anon! Look at that, another year behind us and a new one to come. Have a nice day! ₍՞◌′ᵕ‵ू◌₎♡

[crybaby-bkg]

I know I've talked about bull and bear hybrid Bakugou, but has anyone ever talked about lion hybrid Bakugou???? I thought about this concept when I was still half asleep this morning but like,,,,

lion hybrid bakugou with his big ole head and even bigger mane of hair, all soft, colored like the sand you'd dig your toes into at the beach. he has a little scruff on his chin, but he never grows it out because he hates the upkeep of it.

he's always loud, growly yawns whenever you see him, his canines sharp and pointy when he opens his maw wide enough for you to peek in. he's so big and soft where it matters, lazes around all day everyday, and gets these big bursts of energy at the most random of moments. he's basically an overgrown cat basically

omg and he has this complex where he's just sooo high and mighty, like he's some king meant to be worshipped. but all you have to do is kiss his cheeks and rub a hand through his hair when he lays his big dumb head in your lap, and he's purring up a storm.

and and and lion hybrid bakugou whose tongue can feel so rough when he's feeling lazy about it, but somehow knows how to work it just right whenever he wants to lounge between your legs. gets so huffy and growly when you mumble that you can't cum anymore, just nudges your thighs a little wider with his shoulder as he nuzzles his nose against your mound. doesn't care to hear any of your complaining, because he's still eating and doesn't intend on finishing until he's ready.

omg and and lion hybrid bakugou whose favorite position is, of course, doggy style. but only because he gets to wrap your little dainty neck up in his powerful jaws and pin you there, likes how you whimper and shiver but go limp either way because you trust him with your life. he pins your arms beside your head and grunts so loud into your nape when he finally sinks his cock inside of you. he practically lays flat on top of you, just rutting his hips against your ass over and over until he knots you.

which is his favorite part because you two get to just lay there for what feel like hours, and you keep coming intermitally because he can't help but rut his hips a few more times, and hiss at the way his knot tugs at your clenching lips. sigh just lion hybrid bakugou who looks so mean and intimidating but he just loves you so much and can't get enough of you

[raayllum]

Ezran in Season 6

Because Ezran was basically sad and/or worried about something every time he was on screen in s6 and I wanna talk about it, among other Ezran S6 related things

Episode by episode let's go

6x01 — Framing, Kingship, and Caretaking

This is in some ways I think one of Ezran's most important episodes in arc 2, if only from a framing standpoint. By that I mean, as one of Ezran's last occasions to be in the same physical places as Harrow, they use every ounce of parallel framing and lines they can to show how much Ezran is evoking his father beat by beat throughout the episode.

We also get more literal parallels to Harrow as well, with the king by the window thinking it's better to not go destroying the thing his high mage brother is very much in favour of destroying, with both eventually agreeing (albeit for different reasons for said destruction each time).

Beyond parallels to his father, we also see how Ezran conducts himself within the council meetings, with Zym, and with his brother (+ Rayla) and Soren by proxy. For example, in just about every scene he has this episode, Ezran is focused on either 1) taking care of others or 2) directing others / making decisions. He has the final say with the pearl, he's the one comforting Zym, he's the one deciding Soren and Zym will look for Zubeia and signing off on Callum and Rayla leaving.

This on the one hand makes sense, as Ezran uses similar language when discussing his bond with his friends / Zym and his kingdom ("everyone is counting on me") but more on that later. 6x01, therefore, builds on the patterns established in early s4 of Ezran stepping up to carry everyone else's emotional weight, to be a steady presence of reassurance and peace, and of taking care of his kingdom / making decisions as a king and as a diplomat (going on the mission with Zubeia, onto Rex Igneous and Domina Profundis, etc).

She's alive. And wherever she is, she loves you too. (4x01)

I know you're worried about [Zubeia]. But wherever she is, I'm sure she's okay. (6x01)

It's not just Ezran emulating Harrow in telling Callum and Rayla to "take care of each other," or entrusting Soren with Zym ("keep each other safe"), and knowing that they will. Ezran watching everyone else leave without him harkens back, I think, to Soren's assertion in 5x02 that "It's not fair you have to struggle through this alone," but that is by and large what continues to happen for Ezran.

If you're trying to be a pillar of strength and one that others can lean on, it is very hard to lean on others (as we see perhaps most predominantly with Rayla, who also has many parallels to Ezran). All you can do is grin, bear it, and keep your head on straight. Therefore, that begets the question of who Ezran looks most directly to for guidance, which takes us to our next and only non-episode direct segment:

Ezran and Fathers: An Interlude

I'll expand on this a bit more in the next section, but I think it's worth noting up front in many ways that Zym is to Ezran what Ezran is to Callum, re: the older brother being both a brother and semi-taking on a parental role by default because it otherwise won't be filled. For Callum, this meant stepping in for both Sarai and Harrow at different points, and for Ezran, it means stepping in for both Avizandum and Zubeia. Ezran himself identifies this specific struggle in 2x03:

Someone's going to have to teach him all the things he's supposed to do, everything he's supposed to be. And he's meant to learn it all from a big strong king of the dragons. But he doesn't have that. All he's got is me.

Zym lacking his father and Ezran feeling like those shoes are difficult to fill leads him to missing his own dad. While Callum assures that "Me, Rayla, probably Bait, we're all here for you," Ezran still longs for his father and Harrow's specific guidance in his dynamic with Zym.

But I really wish Dad was here. I keep thinking about what he would do, what he would say to Zym. When I was little and I wasn't listening to him, Dad would say "Ezran, you're handful." So I tried that with Zym. "Azymondias, you're handful." But he doesn't understand. He doesn't even have hands. I guess I just miss Dad. He'd know what to do, you know?

Ezran reaffirms this desire to keep Harrow close in more ways than one, as he reveals in 4x08 where the silver of his crown came from (and why) as well as in 5x06, citing, "It's not worthless, it's really important to me," and quoting Harrow directly in 6x07 (though more on that later). We also see Ezran be willing to defend even Avizandum, who killed his mother, solely because he is Zym's dad: "Everything Avizandum did was to protect Xadia!" (4x08). This doesn't mean Ezran thinks either are perfect (his speech in 3x02 in which he reaffirms Harrow was a good father but a deeply flawed king indicates otherwise) but that both, as kings and as fathers, are people he has tried to emulate with varying degrees of success and aspiration.

AVIZANDUM: This is a special day, a day of life. Do not force me to make it a day of death. (3x06)

And this bond with Harrow is, of course, exactly what Claudia preys upon in 5x09 and what is going to be brought to the forefront in S7 with Runaan, but again: more on those things later. For now, the most important things are Ezran's continual push for himself with king and diplomat as the bases of his identity, and how S6 increases the strain on both of those aspects one by one.

6x02 — Knowledge and Need

One of Ezran's many assessments of what made him a different king from his father, besides not fighting in battles, was Ezran's recognition that he "hadn't read many books of wisdom". I found it a cute fun character detail then that both times we see him in his apparent down time in 6x02 and 6x03, and really the first down time we've seen him be in since early S4, he's reading ("He's right, books are great"—so true 4x02 Ezran, so true).

The more interesting aspect I think this episode raises is along the continuing lines of Ezran and Zym's bond, which is sweetly highlighted here (and then accordingly gets pay off with Zubeia and Zym by episode's close). Specifically, the idea of need:

CLAUDIA: She said I had to stay with Soren, that this was my home, and that my brother and I needed each other. (2x09)

This idea of needing one another, and being together, is very human centric in TDP, Callum and Ezran each being strong and routine proponents of it, but eventually the mindset extends to more Xadian characters (such as Rayla's statement that she and Ethari need Runaan, too, by season's end). This sentiment of "we need each other" is important of course, as well, because it operates in direct opposition to the concept of doing things alone or in isolation, which is how Ezran has been left behind as king and has operated somewhat as king in general.

Zubeia's demonstration that Ezran is a true part of their family is also important, as while Ez isn't there directly to hear it, it narratively rewards his love of Zym and Zubeia by having it be equally reciprocal, and Zym accordingly returns to him. While Ezran is king, and a good king, he cannot and should not be walking his path alone, and that means relying on the people around him to help him.

Or not, if that person is Viren.

6x03 / 6x04 — Viren

Viren's arrival back in Katolis weighs on Ezran before it weighs on Soren, and we see Ezran carry this weight in addition to every other concern already on his mind (but more on that when we talk about 6x05). For now, I want to talk about some contrasts with prior seasons for 6x03.

First, I want to talk about Ezran's storm motif. While the weather is normally pretty stormy, with just about if not every initial shot of the castle each season embedded in a storm, Ezran is the character who surprisingly has the most interplay with it. While Rayla is introduced in a storm and illuminated by lightning (S1 and her tears as the rain in S5), and Callum is a sky-storm mage (prominently in S2 and a bit in S5), Ezran is probably the character who experiences the storm the most and the most consistently.

1x01: Ezran is startled awake by thunder, fearful of the storm

2x07: Ezran runs after Zym and faces Claudia

3x01: Ezran arrives back in Katolis on the back of Banthers

4x01: Ezran hosts his council meeting of the season while it's raining/storming

5x01: Ezran goes out into the storm directly to engage with Domina Profundis

Therefore, the storm has been adjacent to most of Ezran's important turning points as a character, moving from something he's afraid of, to a signal of his tumultuous homecoming, to something he faces head on without fear, and finally where we see Ezran in a lot of ways finally be recognized as King by the person who tried to steal his throne and remove him from the position than one, with Viren's body language directly heralding his last confrontations (1x03, 5x02) with Harrow.

Furthermore, we have the interplay of what both Viren and Ezran believe will happen in Katolis ("They'll throw you in a dungeon, if you're lucky") versus what Viren actually receives from Ezran's verdict(s). Ezran is the only other character we see Viren seek direct penance and apology to, fully recognizing him as king: "I need to see the king" much the way he needed to go to Katolis to face his primary truth with Soren ("I must face my truth... I see you, Soren").

Then we have the way S6 takes more background themes of truth and mercy and amps them up throughout the season, re-contextualizing Ezran's exchange with Viren in a few ways. The most straightforward example of what I mean is by looking at what Aaravos says in his conversation with Sol Regem.

AARAVOS: Would you like a reward? A small mercy before perhaps, before your death? The mercy of truth. (6x08)

So while Ezran doesn't provide Viren with mercy in a traditional sense, as he says, "Good, you don't deserve any" and therefore will not give any, he does provide mercy. He provides Viren a truth they can both agree on, he allows Viren to see him as was requested, and he spares the man's life, locking him away rather than executing him. Ezran's truth is harsh, maybe (deservedly) but it is merciful by its own measure.

On the other end of mercy with Aaravos and the Cosmic Council, we see concepts of mercy and cruelty be called into question.

Sometimes the line between mercy and cruelty can be thin.

Now, Ezran lived because of Rayla's compassion and mercy, and Ezran is someone who ordinarily shows mercy to others as well (i.e. Rayla, Soren, Claudia on more than one occasion, N'than). He's also not usually cruel. But "cruel" is one of Viren's many motif words (I do not mean to be cruel / I owe you an apology Viren, I was cruel to you even though I care for you so much / He's cruel, but you don't have to be / I have been cruel to you + I punished you with a life of cold cruelty), so I think it's worth taking into account. As the wonderful and talented @its-leethee once pointed out, Ezran denying Viren his own definition of mercy also means denying him cruelty by proxy.

I also think Ezran is aware he walks this line as king, however, given how we see things go when Soren returns in 6x04. Not only is the scene with the council while Viren is in the dungeon tonally completely different than it was in season 3 (nobody with the authority to do anything about it, not even Opeli outside of 3x01, really treats Viren being down there as a concern or something on Ezran's plate when he gets back), but also because it presents Ezran with a hard choice to make.

Barius is distanced enough that he can almost smile about the mushrooms, so I knew either Opeli or Ezran were going to be the ones to tell Soren what had happened. Ezran in 3x02 states, "I didn't see everything [Harrow] had to do as king, but I do know that my dad had to make many hard decisions." Not only does this form the backbone of Ezran's entire philosophy as king (going back home in the first place, refusing to have a regent, sacrificing himself, taking the throne up again, etc etc) but it informs him here. Someone has to do the hard thing of telling Soren the truth, and Ezran decides it'll be him, so he does.

Because he's not just Soren's friend, he's his king. And that's Ezran's responsibility.

6x05 — Ezran and Responsibility

Ezran has a very interesting mindset when it comes to what people are responsible for. He holds Claudia accountable in 2x09, but still chases after her and believes in her in 3x09; while he presumably doesn't like dark magic for obvious Ezran-y reasons of seeing all creatures as friends, he's not judgmental about its usage for either Claudia or Callum, even when Rayla holds his brother's usage against him in S2. And when Rayla returns in season 4, he's also not visibly upset with her, either. So I think we can say, if you express regret, had good intentions, and prove you can change, there's a lot that Ezran can forgive, even if it's not everything (re: Viren).

I think we see some of his struggle with it, though, when it comes to the weight he feels for his own actions and choices. Despite Kasef bringing war to his doorstep, Ezran laments, "How can I let this happen?" When he creates a plan where Katolis could escape the war wholly if enough people laid down their hands, giving them agency at the expense of his own, and it doesn't work perfectly, Ezran says, "I let [Corvus] down as king," and feared doing the same earlier: "I feel like I'm letting everyone down." This idea of immense collective responsibility, and the persistent fear of letting people (specifically and in general) down, is one of the many reasons him and Rayla are, often times, so very similar.

Ezran has a tendency to take on an internalized feeling of responsiblity to begin with, and that simply gets amplified with the external circumstances of him being king:

I know everyone is counting on me to teach Zym how to fly. But that's just the start. (2x03)

I don't have time to do kid things. I must gain the trust and cooperation of the dragons, and I shall not be deterred. So many people are counting on me to do my duty. [...] Every time I sit on my throne, I'm reminded of the immense pressure of my kingly duty. (5x02)

But when I struggle, I think of the people I love and how they are counting on me to do the right thing. (6x07)

So Ezran holds himself to a high standard, and that trickles down into how he interacts with others typically in a more compassionate rather than judgemental way—letting things go, holding the group together, being a routinely validating presence—and how he operates as king (4x04):

EZRAN: Wait, please don't go yet. If the Fallen Star is a danger the whole world will face, this is a chance to solve our problems together. [...] I wish there was a way we could combine our strength and purpose and face this together. OPELI: Maybe there is a way. Go with her. EZRAN: But Katolis needs me. OPELI: The world needs you right now. The High Council can take care the people, I promise. EZRAN: You're right. The kingdom will be in good hands.

As king, his kingdom and people come first ("As princes of Katolis, it's our duty to put you all first"—Dreamer's Nightmare) and we see this continue in 6x05 with his conversation with Soren.

LUJANNE: Consider the half moon. Light only falls on half its face right now, but that doesn't mean the other half isn't there. The same is true with you. There are parts of yourself that you keep hidden. (2x02)

Him and Soren are both worried and both fronting with each other, Ezran smiling when Soren enters and giving him a reassuring hug, and Soren's smile dropping the second he leaves.

EZRAN: I'm really excited for Aunt Amaya's wedding, but it also feels like a bad time to leave Katolis. There's so much happening. Callum and Rayla aren't back yet. I'm still worried for Zubeia. And there's that other thing. The prisoner. SOREN: Oh, don't worry about—Viren. Everything will be fine.

Even after receiving news from Soren and Zym that Zubeia is alright, and reaffirming he knows that Zym is worried, Ezran doesn't open up to Zym about it or let the worry go. He feels responsible for his kingdom but also in handling things with Viren.

Speaking of Viren from last episode: while Ezran is typically non-judgmental and forgiving of choices/mistakes, we also get an important piece for how Ezran views responsiblity from 3x02:

My father made choices to keep fighting battles that started hundreds of years before he was born. To punish enemies for crimes their parents committed.

The same way Rayla turns because "how can we take vengeance for something that never happened," Ezran didn't punish Soren and Claudia for crimes their father made ("They thought I ran away, just like my parents" / "But if I die, I'll just be paying the price they should've paid a long time ago") but he does punish Viren for crimes Viren has committed. His emphasis on agency extends to 3x04, in which he gives up his agency in order to give his army some: they can choose to walk away with no technical consequences, even though the deserters are jeered at and forced to wear identification badges / are publicly shamed for their choice to not go to war against Xadia. Rayla was also ordered by Zubeia to kill him and his father, but went against orders upon seeing the egg; Zubeia's heart likewise changed upon seeing her child had been returned to her. (Runaan, comparatively, refused to disobey orders even once seeing the egg, and then attacked and tried to kill his daughter over it by his own admission—but more on him and Ezran later).

The point I'm trying to make is that Ezran feels responsible for his own and other people's decisions when it comes to the good of his kingdom; that he fronts just as much as Soren does about feeling okay; and that he highlights people's agency / right to choose as something that can help them break the cycle, as indicated in his infamous 4x03 speech:

But violence tests us. In a twisted way, it converts us to its cause. Because pain and loss feel so terrible inside, you want to hate. You want to hurt someone else. So what do we do? How can we stop this cycle? [...] We have to acknowledge the weight of the pain and loss, but open up our eyes and allow ourselves to hope and maybe forgive and love again. We have to give today’s children a chance to inherit a future filled with peace. To give them that, we have to hold pain and love in our hearts at the same time.

As king, he has the ability—the responsibility—to make better choices in leading his kingdom, leading his friends.

With that in mind, time to finally talk about the biggest Ezran episode this season:

6x07 — Choices and Sisters

In 6x07, we see Ezran away from Katolis, which he was worried to be, but bonding with Queen Aanya, which is rather sweet. When war is brought to his aunts' doorstep, though, Ezran accordingly steps up, and that is where the real meat of the episode begins for him. Not only is he much calmer and more direct when bargaining with Janai than either his brother or Rayla were (5x03), he's also directly successful, with a little help from Aunt Amaya.

While Ezran to this point has had a bit of interplay with the Mercy motif running throughout the season, and a bit of Truth by proximity, here we see him step more fully into the Path motif that's interwoven with both of these concepts ("Only you can find your one deep truth. Only you can choose the path you're going to walk" —6x04):

EZRAN: What? No. This is supposed to be a day of love, not a day of bloodshed. Maybe we can talk him down. [...] Queen Janai, please. Go on with the wedding. Send me as your emissary to Karim.

There's a few reasons Ezran steps in, I think. He wants to help his aunts and allow them to have their wedding day (again, taking something onto his shoulders to avoid it being on someone else's). He wants to save lives. But perhaps most personally is that this is his path and therefore his truth. He believes in peace and more than that, he believes in choices, offering one both to Janai (and Amaya) of whether to send him or not, and then to Karim of whether to listen.

So he goes, planning for contingencies in bringing Corvus and leaving Aanya by the rocks to watch their backs with her bow and arrow.

A few notes on his discussion with Karim in quick succession otherwise we'll be here all day:

The return of the child-king dichotomy ("a child is freer than a king" / "but I can't run away from growing up, now that I'm king" / "the whining child king" / "this is a child!" "he is a king!") makes a return

As does Karim's typical brand of condescension

Ezran offers Karim the same thing he offered his armies, as well as Ezran's emphasis on the future > Karim's emphasis on the past and power: "Take your army, the people who follow you, and build your own future somewhere away from here."

Reaffirmation of Ezran believing humans and Xadia are stronger together and that people should be reintegrated with each other (bringing Zym home, working with various elves and dragons, his offers of togetherness to Zubeia and Rayla, his love for his aunt, etc etc)

Ezran quoting Harrow's letter directly: "No, history doesn't have to be a narrative of strength. Not if we don't want it to be. It can be a narrative of love."

Initial break down of key points:

Once again, Ezran highlights people's wants. Queen Janai wants peace. It doesn't have to be a narrative of strength if we don't want it to be. "We all want peace and we all want love." Karim is about to deliver a very harsh lesson about what can happen when that isn't what people want, as he's more motivated by ego and pride than any measure of love. Ezran's emphasis also ties into opposition with how when people / characters in the show don't listen to their wants, they're more likely to engage in the Cycle because they think they have no choice: "I don't want to," Rayla says, threatening his brother, "but I have to" (1x02) + arc 1 Viren's entire character arc.

Secondly, while Ezran begins by stating that "Human, child, king" (or his three identity monikers) "none of this matters," that's not where he ends his statement. Instead, he builds his identity directly upon his kingship (which Karim notably does not have):

K: Those are childish dreams. E: Not dreams. Choices. I am a king. And as a king, I choose love over strength.

This is an interesting reconciliation, as we see Harrow forced to choose in dreams precisely because he's king (2x05) and we see dreams interplay with choices for both Viren ("Every step forward is a choice") and Callum's dark magic dreams ("No, I get to choose who I want to be"). It also sets up inevitably that Karim won't choose love over strength almost precisely because he's not king and that's what he wants to be, perhaps in a symbolic sense.

Then we get to the meatiest part of S6 Ezran in a lot of ways, in terms of set up for next season:

Sometimes it’s hard, but when I struggle, I think about the people I love and how they are counting on me to do the right thing. Not the harsh thing, not the strong thing. The right thing. Do you love your sister, Prince Karim?

Again, a few quick notes:

Verbal acknowledgement from Ezran himself that choosing love over strength is hard and is a struggle, harkening back to 4x03

"Counting on me" pattern

Ezran specifically references to the people he loves as balances, which most clearly points to Zym and Zubeia, I think

Ezran will be challenged in that exact way next season with Runaan, precisely with "Do you love your sister?" (and brother) being what can bring him back from the brink

But more on this when I get to my Ezran-Karim meta, which all of this meta was originally supposed to be in, and then it got way too long and got split in two.

KARIM: What? Of course I do. I... She has led our people down the wrong path, but she will always be my sister. EZRAN: Then you can still choose love. It’s not too late.

However, all of Ezran's best efforts — his emphasis on choices — doesn't matter when Karim actively "wants Janai to attack"; that history wrote that fire must be chosen, so he'll choose it again now. What follows is Ezran desperately running to save lives and go against the perceived destiny Miyana sees ("Open your eyes, little king. You cannot be blind to destiny") as both Zym, Aanya, and Corvus help Ezran escape. We see Aanya continue to be a great support, extending a hand to him rather than being someone he extends aid to, and although Ezran is unable to stop the Sunfire armies from colliding with Sol Regem, they are spared anyway.

And while he's undeniably grateful and happy it didn't happen to the Sunfire elves nor his aunts, it's for a fate that's far personally worse for our young boy king.

6x09 — Castles Crumbling

Remember how I've emphasized throughout about Ezran treating kingdom — particularly in S6 — as an underpinning for his entire identity, both in professional and interpersonal relationships? Well... what's a king his castle? What is a king without a kingdom?

Furthermore, Katolis and the crown, the kingship, is also key to how Ezran conceptualizes and remembers Harrow. The emphasis on his throne, the emphasis on his crown, the way Ezran speaks and forges ahead as a leader... these are all ways to keep his parents'—his father's—memory alive. Now there's not even that.

Ezran has always had semblances of phoenix symbolism, surviving death, riding dragons rather than being burned by them, waking up with the rising sun in 3x02 and claiming his crown at sunset by the end, being taken to the dungeons at nightfall, etc. Now he's been pushed into it full throttle, dealing with many types of grief at once.

A loss of his people and the responsiblity he felt towards them, grieving innocent lives lost; the destruction of his childhood home and safe stronghold; in many ways, the loss of his father and family all over again; and lastly, a loss of sense of self, symbolized by the literally fallen towers of Katolis.

This raises an especially interesting arc for Ezran going forward. On the one hand, being king is a deeply positive experience for him: it's hard but it's liberating, he deeply loves his people, and it's a role as mediator he's always naturally stepped into (1x03, 1x06, Dreamer's Nightmare, 4x06, etc). It's something he actively chooses and uses to choose the Narrative of Love.

At the same time, it's also been deeply isolating, and something he's prone to utilizing in anger: "If I am the king, you have to let me go" (2x08) when it comes to pulling rank. The fact it's so bound up with his bond with Harrow (and Callum having distance from Harrow partially specifically informed by Harrow being king) is also likely to hurt as much as it helps.

In the same way that other characters are being pushed to their dual identity breaking point in S7 — Rayla as a protector or an assassin, Callum as someone who can break away from Aaravos' corrupted control or will play right into his hands — Ezran will likewise be similarly tested, being a King of Strength and a King of Love, potentially falling prey to the same pitfalls that doomed his father but also coming back from them as well. In a lot of ways, therefore, each of his scenes / episodes in S6 take the former dominos from S4 and S5 and line them up all for 6x09—7x02 to likely knock them down in brutal succession, and then see how he — like his brother and friend; like a phoenix; like his kingdom — rises from the ashes.

And I can't wait to see it.

Conclusion

I hope you enjoyed this very long Ezran meta! There was a lot to dig in from S6 itself as well as from prior seasons, and is — I think — probably tied for the 2nd best Ezran season with season 3 (the best season for him being S4, tbh). Contextualizing things further both in regards to the past and the future for his character arc is also very exciting, and I hope this meta helped create hype — for the boy, for the king, and for the way Ezran has continued to grow and be tested.

The next meta will either be Terry (S4—S6) or Claudia&Rayla (S6) centric, and I will see you then!

In the meantime, Dragons out!

[littlefankingdom]

The Batman fandom infantilizing a near 30 years old white man taking in a child, saying he was a brother more than a father as if he wasn't a full grown adult taking in a child he could have birthed, but parentifying a brown young adult taking in his brother pre-teen for less than a year, saying he was a father more than a brother (only a year is barely enough but ok), or saying he was more a father to his other brothers than Bruce, when he met them when he was 18 and 21 is making me uncomfortable, ngl.

Like, Bruce is a "kid" when he became Dick's guardian when he canonically was over 25 (he started being Batman at 25), and a brother to him when he raised him for 10 years (and Dick probably has not many memories from before Bruce now), but Dick is a "father" to Damian he only had as his charge for less than a year, half of which they were fighting each others??? Make it make sense???

[olberic]

thinking about what we lost when megatron stopped turning into a gun. like if you were made to be a weapon only aimed by other people would you not crave bodily autonomy. if you were made to be a show of force would you not find it hard to resist what you are. if you were made to be a pistol would you not miss being held.

[akkivee]

GUYSSSSSSS CHECK OUT THE SONG TITLES AND THEYRE COMING OUT ON JANUARY 31!!!!!!!!!

and some notes from the movie event the released this info from lol

the composers for three kings were in a group called ‘king giddra’ and ichiro’s latest solo actually samples one of their songs it’s all connected lmao (it was sick, kijima-san agrees, but it’s also frustrating to see zeebra who wrote mtr’s champion song writing for bb lmao)

yamarashi (of death respect notoriety) and han-kun are all from yokohama and stan tf outta mtc and came together to toast to their victory lmao

bunch of roses according to both nozu and little, one of the song makers, has a part where gentaro goes OFF bro

bless you took in account of the themes of ‘world peace’, ‘love’, and ‘your own weaknesses’ and kijima-san came out of the song feeling like the writer really understood mtr!!!!

laughter brings home good fortune (it’s an idiom) IS BY CREEPNUTS WELCOME BACK CREEPYNUTS AAAAAAAAAAAAHHHH

the power of faith is by home made kazoku (dj uichi’s group 💜💜💜) and as the seiyuu started tweaking out bc yeah lol hayama-san said this was how he knew they’ve already won LOL. dj uichi said the song has brought the funk back to bat!!!!!!

[karalovesallthegirls]

Okay so I semi-spontaneously wrote a soulmate au in the past twenty four hours with the intention of it being a short tumblr ficlet. I did then tragically write 2.5k of what could probably be a 4-5 chapter fic. Part of me wants to just post it on tumblr and then if I ever add to it put it on ao3, as I have TOO MANY wips on ao3, but also 2.5k feels like a lot for tumblr.

idk any thoughts? I'll probably post it here

[6vaguebook]

After watching this first two episodes of the Percy Jackson Disney+ show, my main takeaway (outside of Percy taking on THREE Ares kids with no training and not even being wet) is that Luke was done so, so well.

The actor EMBODIES him. Even before I saw him acting, one picture was enough to convince me that this man WAS Luke, despite looking nothing like him. His friendship with Percy feels so much stronger. I'm already feeling the devastation from the inevitable betrayal. Just. He's so well done.

[kindaasrikal]

Garmadon is probably my favourite example of how intrusive thoughts are like.

Is he a little yellow (black?) lego man with cup hands? Yes

Is he also someone whose suffered from intrusive thoughts and desires that he does not want to do since young, and due to suffering through them for so long his resolve eventually broke to these thoughts as he became the one thing he never wanted to be? Yes, yes he is.

For decades upon decades he had to sit with thoughts and desires he knew was bad and had to actively resist against. Dealing with intrusive thoughts is not easy, seeing as it depends on a persons will power, their own self acceptance and awareness on who they are, and how persistent they can be.

With Garmadon, he had to deal with the shame knowing that everyone most close too him knows he has these thoughts and desires and that can way down on a persons self esteem and will/resilience, especially when you seem to be surrounded by someone seemingly ‘perfect’. No one actively shamed Garmadon for having these thoughts (from what i know, though Wu definitely hasn’t) but he probably had more thoughts about how everyone must be mocking him. With the intrusive thoughts getting worse as he grew older, and as his responsibilities grew heavier, there were a few times where Garmadon’s morals and resolve wavered.

Now remember, Garmadon probably already was a grey character (light grey) without the venom strongly influencing him because of the world he grew up in as well as having horrific thoughts since young, which could lead to a sense on normalcy of the content of them. Which could’ve led him to his actions and overall personality being incredibly light grey. The times he wavered were few in between, and i can’t list them all off since i haven’t read the comics, but the most notable one was when he went to go train under Chen.

The reason he might’ve done so could be a few. Due to Chen’s evil nature, he might’ve thought that it might help him in easing and handling these thoughts better. Or it might’ve been a lapse in judgment, or his morals tipping slightly to the darker side.

After all these sort of moments where he almost tipped to the darker side, something just had to give and push him over the edge of finally breaking his already weak grip on his will power to resist against these thoughts, and whatever it was broke it well. He attempted to steal the golden weapons, Kill Wu, and unlock his Oni side, despite having a baby and a wife at the time. And thats not to say Garmadon doesn’t care for those three. He’s shown time and time again that he does. He cares for all three of them and loves them as family. Yet, that doesn’t stop the grip of his intrusive thoughts, nor the easing of suffering mentally once he stopped pushing it down. He’s shown he cares for Wu like how a brother would (like a little shi, though i would say that Garmadon is much more willing to kill Wu then the other two), and he’s shown interest in Misako as a lover (no, i will not forget that straight up grin of his) and how he hasn’t actively sought her out to harm her, and how he has held back against Lloyd, only ever grew and broke free of these thoughts and desires because of Lloyd, and only ever found his true self and freedom and acceptance because of Lloyd.

Garmdon is very much capable of capable of holding back his evil desires and wants when he is given the right reason too, and that reason has always been his family as his SON. His BABY. THATS HIS KID.

But, Garmadon may have special genes and magic powers, but his brain is like any other humans. He was no longer able to fully resist the venom in his veins nor the thoughts in his head as strongly as he used too, because he is no longer young. He is an old man whose whole life was spent resisting a side of him he was horrified at, yet a side of him who he would never be able to truly hide nor resist, when that terrifying demon in his head is still a part of him.

I would like to say though, that while the intrusive thoughts themselves were evil and horrible and straight up terrifying, Garmadon himself never was that kinda person. Theres a reason why Lloyd is his son and why Misako chose him, and why Wu still respects his brother so much. Garmadon is a good person, in a situation he cannot control and a brain he cannot stop. Intrusive thoughts are not things you willingly think, they’re like a stampede of people running up to the microphone to give their own bright ideas all at once, all of the time, and you’re the only audience they talk to. Garmadon was subjected to that since he was a child, and that isn’t easy. The fact that he lasted so long, so many decades, resisting against them and holding himself true to his ideals and true personality is mesmerising to witness and think about. And to think that he can still resist, and then understand and grow with that side of him into a healthier and happier person who is trying, is definitely something he and everyone he ever grew close too wished for, for a very long time.